This motion project walks the viewer through the ways that the company Live Nation and their subsidiary Ticket Master exploits musicians and venues in the music industry. As someone involved in their local music scene, I take Live Nation's actions incredibly seriously. I wanted to spread the word on what is happening and how the viewer can take action to combat Live Nation's monopoly.
I chose a grunge style for this project to help emphasize my message. Grunge was a very counter-culture movement, and supporting local music over large entities like Live Nation is a counter-culture way to approach the music industry.
Year: 2024
Art Director: Cassandra Reese
Institution: Pennsylvania Western Edinboro
© Gwenyth Zeis-Miller 2025